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home·artworks·Monastery Gates
Monastery Gates by Aleksey Savrasov

plate no. 7845

Monastery Gates

Aleksey Savrasov, 1875

oil, canvasRealismlandscapetreeswaterbuildingskylandscapefigures
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering reflections in water. It also provides practice in capturing the texture of foliage and architectural details with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, trees, and water.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky, water, and major land masses, paying attention to the light and shadow patterns.

  4. step 04

    Begin adding details to the buildings and trees, using a variety of brushstrokes to create texture.

  5. step 05

    Develop the reflections in the water, using horizontal strokes and softened edges.

  6. step 06

    Refine the details of the figures and architectural elements.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · burnt umber · titanium white · yellow ochre · Prussian blue

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the muted greens by mixing yellow ochre, Prussian blue, and a touch of burnt umber. Use white to lighten values and create atmospheric haze. Mix alizarin crimson and burnt umber for dark shadows.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a strong value structure.
  • →Making the colors too saturated.
  • →Ignoring the atmospheric perspective, causing the background to appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the value structure.

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