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Models by Nikolay Bogdanov-Belsky

plate no. 2068

Models

Nikolay Bogdanov-Belsky

oilRealismportraitchildrenportraitfiguresclothingfoliagebuilding
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for realistic skin tones, and capturing textures with visible brushstrokes. It also provides practice in depicting complex patterns in clothing.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the proportions and placement of the figures.

  2. step 02

    Establish the background with broad strokes, focusing on the light and shadow patterns.

  3. step 03

    Block in the main shapes of the figures, using simplified color values.

  4. step 04

    Begin refining the skin tones, mixing subtle variations of color to create depth and form.

  5. step 05

    Add details to the clothing, capturing the textures and patterns with careful brushwork.

  6. step 06

    Refine the facial features, paying attention to the eyes and mouth to capture the expressions.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and realistic effect.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red · ivory black

Achieve skin tones by mixing burnt umber, raw sienna, titanium white, and small amounts of cadmium red and ultramarine blue. Use yellow ochre and ivory black to create muted greens for the foliage.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·layering
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in skin tones.
  • →Ignoring the importance of light and shadow in creating form.
  • →Getting lost in the complexity of the clothing patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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