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home·artworks·Modellstudie, Alte Frau, Halbes Profil
Modellstudie, Alte Frau, Halbes Profil by Albin Egger-Lienz

plate no. 5738

Modellstudie, Alte Frau, Halbes Profil

Albin Egger-Lienz, 1885

oilRealismportraitportraitfigureold womanprofileclothinghair
some experience helpful

Recreating this portrait will help students develop skills in rendering form with subtle value changes and creating texture with hatching and cross-hatching techniques. It also provides practice in capturing likeness and conveying a sense of character.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Establish the main light and shadow areas with broad, light strokes.

  3. step 03

    Begin to build up darker values in the shadows, using hatching and cross-hatching.

  4. step 04

    Refine the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add details to the hair and clothing, using a variety of stroke directions and pressures.

  6. step 06

    Soften edges and blend values where necessary to create a sense of form.

  7. step 07

    Add final highlights to the lightest areas of the face and hair.

  8. step 08

    Review the overall composition and make any necessary adjustments to values and details.

color palette

primary · sepia · ivory black

secondary · raw umber · burnt umber

Mix sepia with ivory black for darker tones, and dilute with water or medium for lighter shades. Raw umber and burnt umber can be used to add subtle warmth or coolness to the shadows.

techniques

  • ·hatching
  • ·cross-hatching
  • ·value blending
  • ·contour drawing
  • ·rendering form

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating overly harsh or abrupt value transitions.
  • →Failing to capture the correct proportions and likeness.
  • →Not varying the pressure and direction of strokes to create texture.

materials

surface · drawing paper (toned or white)

required

  • ·charcoal pencils (soft, medium, hard)
  • ·kneaded eraser
  • ·drawing paper (toned or white)
  • ·blending stump
  • ·fixative spray
  • ·ruler
  • ·pencil sharpener

optional

  • ·tortillon
  • ·sandpaper block
  • ·drawing board

Using toned paper can help create a sense of depth and atmosphere more easily. A variety of charcoal pencils will allow for a wider range of values.

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oil painting for beginners →how to learn by studying the masters →
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