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home·artworks·Mill in Sunlight: The Winkel Mill
Mill in Sunlight: The Winkel Mill by Piet Mondrian

plate no. 6916

Mill in Sunlight: The Winkel Mill

Piet Mondrian, 1908

oil, canvasFauvismcityscapewindmillbuildingskyfieldarchitecturelandscape
some experience helpful

Recreating this painting will help students practice bold brushstrokes and color mixing to achieve vibrant, expressive colors. It also encourages simplification of forms and capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the windmill and surrounding landscape, focusing on proportions and placement.

  2. step 02

    Block in the main areas of color: yellow for the sky and field, red for the windmill, and blue for accents.

  3. step 03

    Apply thick, visible brushstrokes, following the direction of the forms to create texture and movement.

  4. step 04

    Mix variations of red, yellow, and blue to add depth and interest to each area.

  5. step 05

    Use short, choppy strokes for the field and sky to create a sense of energy.

  6. step 06

    Add darker values to define the shadows and contours of the windmill.

  7. step 07

    Refine the details of the windmill, such as the windows and sails, using smaller brushstrokes.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · cadmium red · cadmium yellow · ultramarine blue

secondary · white · black

Mix red and yellow for oranges, yellow and blue for greens, and red and blue for purples. Use white to lighten colors and black to darken them sparingly.

techniques

  • ·impasto
  • ·broken color
  • ·expressive brushwork
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Being too precise with details, losing the expressive quality of the painting.
  • →Using too much paint, creating a heavy, overworked surface.
  • →Ignoring the direction of the brushstrokes, resulting in a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (cadmium red, cadmium yellow, ultramarine blue, titanium white, black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use high-quality oil paints for the best results. A medium can help with blending and drying time.

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oil painting for beginners →how to learn by studying the masters →
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