apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-Portrait
Self-Portrait by Henri Matisse

plate no. 4588

Self-Portrait

Henri Matisse, 1900

oilFauvismself-portraitportraitfiguremanclothingfaceself-portrait
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create form and mood. It also encourages exploration of non-realistic color palettes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the large areas of color, focusing on the overall composition.

  3. step 03

    Develop the facial features, paying attention to the light and shadow.

  4. step 04

    Add details to the clothing and background, using expressive brushstrokes.

  5. step 05

    Refine the color palette, adjusting the hues and values as needed.

  6. step 06

    Add final touches and highlights to create depth and interest.

  7. step 07

    Step back and assess the overall composition and balance.

  8. step 08

    Make any necessary adjustments to complete the painting.

color palette

primary · Prussian Blue · Crimson Red · Yellow Ochre · Titanium White

secondary · Sap Green · Burnt Umber · Cadmium Yellow

Achieve the skin tones by mixing white, yellow ochre, and a touch of red and blue. Darker areas are created by adding burnt umber and Prussian blue. The background colors are achieved by layering and blending the primary and secondary colors.

techniques

  • ·Impasto
  • ·Broken Color
  • ·Color Mixing
  • ·Expressive Brushwork
  • ·Layering

common pitfalls

  • →Over-blending colors, resulting in a muddy appearance.
  • →Getting the proportions of the face wrong.
  • →Not using enough paint to create the impasto effect.
  • →Ignoring the overall composition and focusing too much on details.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish
  • ·Easel

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve a variety of textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Lilac

Lilac

Mikhail Larionov

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

The Pont Saint Michel in Paris

The Pont Saint Michel in Paris

Henri Matisse

Le salon blanc

Le salon blanc

Jean Hugo

By the Sea

By the Sea

Louis Valtat

Still Life with Camellias

Still Life with Camellias

Ilya Mashkov

Ship at Le Havre

Ship at Le Havre

Georges Braque

Pine Trees on Kerkyra

Pine Trees on Kerkyra

Konstantinos Parthenis