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home·artworks·Still Life with Camellias
Still Life with Camellias by Ilya Mashkov

plate no. 1743

Still Life with Camellias

Ilya Mashkov, 1915

oil, canvasFauvismstill lifestill lifeflowersfruittablecurtainjars
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and capturing the texture of different objects with visible brushstrokes. It also provides practice in arranging a complex still life composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the still life, paying attention to the placement of the objects.

  2. step 02

    Block in the main color areas for the background, table, and major objects using thin washes.

  3. step 03

    Start building up layers of color on each object, focusing on capturing the local color and variations in tone.

  4. step 04

    Add details to the flowers, leaves, and fruit, using thicker paint and visible brushstrokes.

  5. step 05

    Define the shapes and forms of the objects by adding highlights and shadows.

  6. step 06

    Pay attention to the textures of the different objects, using different brushstrokes to create the illusion of depth and dimension.

  7. step 07

    Refine the composition and color relationships, making adjustments as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · cadmium red · cadmium yellow · titanium white

secondary · viridian green · alizarin crimson · yellow ochre

Mix greens by combining blues and yellows, and create variations in tone by adding white or black. Use red and yellow to create oranges and browns for the fruit and jars. Vary the blues with white and touches of green for the curtain.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Ignoring the textures of the different objects.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ultramarine blue, cadmium red, cadmium yellow, titanium white, viridian green, alizarin crimson, yellow ochre)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use good quality oil paints for best results. A medium can help with blending and drying time.

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