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home·artworks·Mikhailovsky Street in Novgorod
Mikhailovsky Street in Novgorod by Andrei Ryabushkin

plate no. 6036

Mikhailovsky Street in Novgorod

Andrei Ryabushkin, 1899

oil, canvasRealismcityscapestreetsnowbuildingsfiguretreessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing for realistic snow and sky effects. It also provides practice in depicting figures in a landscape and capturing the essence of a winter scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and the placement of buildings and the figure.

  2. step 02

    Block in the sky with a light blue-green hue, creating a soft, diffused light.

  3. step 03

    Establish the dark values of the buildings and trees, using browns and greens.

  4. step 04

    Apply the base color for the road and snow, a mix of white with touches of brown and blue.

  5. step 05

    Add highlights and shadows to the snow to create depth and texture.

  6. step 06

    Paint the figure, paying attention to the folds of the clothing and the color variations in the fabric.

  7. step 07

    Add details to the buildings, such as windows and architectural elements.

  8. step 08

    Refine the trees and add the birds in the sky with small, dark brushstrokes.

color palette

primary · titanium white · burnt umber · Prussian blue

secondary · yellow ochre · cadmium red · sap green

Mix white with small amounts of blue and brown for the snow and sky. Use burnt umber and Prussian blue for the dark buildings and trees. Add yellow ochre and cadmium red for the figure's clothing.

techniques

  • ·atmospheric perspective
  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the snow, making it appear flat and lifeless.
  • →Using too much pure white, resulting in a harsh, unrealistic effect.
  • →Neglecting the subtle color variations in the sky and snow.
  • →Failing to establish a strong sense of perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-textured canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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