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home·artworks·Merrymakers in an Inn
Merrymakers in an Inn by Adriaen van Ostade

plate no. 4908

Merrymakers in an Inn

Adriaen van Ostade, 1674

oil, panelBaroquegenre paintingfiguresinteriortavernmusicdancegenre scene
experienced study

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the texture of wood and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and major architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the figures and background, paying attention to the light source and shadows.

  4. step 04

    Develop the details of the figures, starting with the faces and hands.

  5. step 05

    Add texture to the wood and fabric using dry brush techniques.

  6. step 06

    Refine the lighting and shadows to create a sense of depth and atmosphere.

  7. step 07

    Add highlights to create focal points and draw the viewer's eye.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the color harmony.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth colors with black and white. Use small amounts of red and blue to create subtle color variations in the figures and background.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brush
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·dammar varnish
  • ·medium gloss

Use high-quality oil paints for best results. A toned canvas can help to establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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