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home·artworks·Merry company in the park
Merry company in the park by Esaias van de Velde

plate no. 7209

Merry company in the park

Esaias van de Velde, 1614

oilBaroquegenre paintingfigureslandscapearchitecturetreesgardenfountain
experienced study

Recreating this painting will help students develop skills in rendering complex figures in a landscape and creating a sense of depth through atmospheric perspective and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition, paying attention to perspective.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, focusing on the light and shadow patterns.

  3. step 03

    Block in the main color masses for the figures, architecture, and foliage, using a limited palette.

  4. step 04

    Develop the details of the figures, including clothing, faces, and hands, using smaller brushes.

  5. step 05

    Refine the architecture and foliage, adding details and texture with dry brush techniques.

  6. step 06

    Work on the fountain, paying attention to its intricate details and the play of light and shadow.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and create atmospheric effects.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · cadmium red light

Achieve the muted tones by mixing burnt umber with white and small amounts of yellow ochre and red. Use glazes of thinned burnt umber to create shadows and depth.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early without establishing the overall value structure.
  • →Using colors that are too bright or saturated, which will detract from the painting's muted tone.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Inaccurate proportions of the figures and architecture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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