apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Merry Company
Merry Company by Pieter Codde

plate no. 9067

Merry Company

Pieter Codde, 1633

oilBaroquegenre paintingfiguresgroup portraitinteriorclothingmusical instrumentdog
experienced study

Recreating this painting will help students develop skills in rendering complex figures, drapery, and interior spaces with subtle lighting. It also provides practice in creating a sense of depth and atmosphere using value and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement and proportions of the figures and major elements.

  2. step 02

    Establish the background tones with thin washes of color, paying attention to the subtle variations in value.

  3. step 03

    Block in the main shapes of the figures and their clothing, using simplified forms and colors.

  4. step 04

    Begin to refine the details of the faces, hands, and clothing, gradually adding highlights and shadows.

  5. step 05

    Pay close attention to the folds and textures of the drapery, using a variety of brushstrokes to create depth and realism.

  6. step 06

    Add the details of the musical instrument and other objects in the foreground, using precise brushwork and accurate color matching.

  7. step 07

    Refine the lighting and shadows throughout the painting, creating a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · ultramarine blue · burnt sienna

secondary · yellow ochre · titanium white · cadmium red light

Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use glazes of thinned paint to create depth and luminosity in the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·rendering fabric

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and values.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere through the use of value and color.
  • →Inaccurate proportions of figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne