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home·artworks·Merry Company
Merry Company by Judith Leyster

plate no. 2790

Merry Company

Judith Leyster, 1630

oil, canvasBaroquegenre paintingfiguresviolintabledrinking glassclothinghat
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing realistic skin tones, and rendering complex fabrics and textures. It also provides practice in creating a balanced composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and objects.

  2. step 02

    Establish the background with dark, muted tones, creating depth and atmosphere.

  3. step 03

    Block in the main shapes and values of the figures, paying attention to the light source and shadows.

  4. step 04

    Begin to refine the skin tones, using layers of thin glazes to achieve realistic color and texture.

  5. step 05

    Develop the details of the clothing, capturing the folds, wrinkles, and textures of the fabrics.

  6. step 06

    Paint the violin, carefully rendering its shape, color, and details.

  7. step 07

    Add the details of the table, pitcher, and glass, paying attention to their reflective surfaces.

  8. step 08

    Make final adjustments to the composition, values, and colors to create a cohesive and balanced painting.

color palette

primary · ivory black · titanium white · yellow ochre · burnt umber

secondary · cadmium red light · ultramarine blue · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows and dark areas. Mix ultramarine blue with burnt umber to create a dark, neutral tone.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of value contrast.
  • →Rushing the initial sketch and blocking-in stages.
  • →Getting lost in details before establishing the overall composition.
  • →Incorrect proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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