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home·artworks·Memory of a pain (Portrait of Santina Negri)
Memory of a pain (Portrait of Santina Negri) by Pellizza da Volpedo

plate no. 3079

Memory of a pain (Portrait of Santina Negri)

Pellizza da Volpedo, 1889

oil, canvasRealismportraitportraitfigurewomanchairclothingletter
some experience helpful

This painting provides practice in portraiture, including capturing likeness and subtle skin tones. It also develops skills in rendering fabric and creating a sense of depth through value and color.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and chair.

  2. step 02

    Block in the main areas of color: skin, clothing, chair, and background.

  3. step 03

    Begin refining the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the clothing, capturing the folds and textures.

  5. step 05

    Work on the chair, adding details and creating a sense of depth.

  6. step 06

    Refine the background, ensuring it complements the figure.

  7. step 07

    Add details to the letter and the woman's hands.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium yellow · alizarin crimson · ivory black

Mix skin tones using white, yellow ochre, burnt umber, and a touch of alizarin crimson. Create the blue skirt by mixing ultramarine blue with a touch of black and burnt umber.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones, resulting in a flat or muddy appearance.
  • →Ignoring the subtle variations in color and value.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, ultramarine blue, burnt umber, yellow ochre, alizarin crimson, ivory black, cadmium yellow)
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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