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home·artworks·Melting Snow Maiden. Sketch
Melting Snow Maiden. Sketch by Vasily Perov

plate no. 2569

Melting Snow Maiden. Sketch

Vasily Perov

oilRealismsketch and studyfiguressnowwinterwelllandscapebuilding
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and capturing the subtle color variations in snow and shadows. It will also provide practice in creating a sense of depth and atmosphere with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the figures and the well.

  2. step 02

    Block in the large areas of color, starting with the sky and snow, using thin washes.

  3. step 03

    Add the darker tones for the figures and the well, gradually building up the values.

  4. step 04

    Introduce the secondary colors to create depth and interest in the snow and shadows.

  5. step 05

    Refine the details of the figures, paying attention to the folds in their clothing and their facial expressions.

  6. step 06

    Add the details of the well and the surrounding landscape, such as the branches and the distant building.

  7. step 07

    Use dry brush techniques to create texture in the snow and the well.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · viridian green · alizarin crimson

Mix white with small amounts of blue and umber to create the cool tones of the snow. Use ochre and umber for the figures' clothing and the well. Add crimson to umber for warmer shadows.

techniques

  • ·dry brush
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Using too much white and creating a flat, lifeless effect.
  • →Ignoring the subtle color variations in the snow and shadows.
  • →Not paying attention to the proportions and anatomy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·viridian green oil paint
  • ·alizarin crimson oil paint

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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