apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Medusa
Medusa by Franz Stuck

plate no. 6042

Medusa

Franz Stuck, 1892

oilSymbolismmythological paintingfigurefacesnakesmythologyhairdark
some experience helpful

Recreating this painting will help students develop skills in value studies, portraiture, and creating a dramatic mood using chiaroscuro. It also provides practice in rendering textures, particularly the scales of the snakes.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone gray.

  2. step 02

    Lightly sketch the basic shapes of the face, snakes, and hair.

  3. step 03

    Establish the darkest areas of the background and shadows on the snakes and hair.

  4. step 04

    Begin building up the highlights on the face, focusing on the planes and structure.

  5. step 05

    Refine the details of the eyes, nose, and mouth, paying attention to subtle value changes.

  6. step 06

    Add details to the snakes, rendering the scales and highlights to create a sense of depth.

  7. step 07

    Soften edges and blend transitions to create a smooth, atmospheric effect.

  8. step 08

    Add final highlights to the face and snakes to enhance the drama.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Mix various shades of gray by combining ivory black and titanium white in different ratios. Use raw umber or payne's gray to create cooler or warmer grays as needed.

techniques

  • ·value study
  • ·blending
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value range.
  • →Creating harsh lines instead of soft transitions.
  • →Not paying attention to the underlying structure of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A smooth canvas surface will be easier for blending. Consider using a pre-toned canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull