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home·artworks·Meditation of St. Francis
Meditation of St. Francis by Francisco de Zurbaran

plate no. 5688

Meditation of St. Francis

Francisco de Zurbaran, 1632

oil, canvasBaroquereligious paintingfiguremonkskullbookroberock
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to create form using light and shadow. It will also teach them how to render drapery and textures with a limited palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, skull, book, and rock.

  2. step 02

    Establish the dark background with a thin wash of dark brown and black.

  3. step 03

    Block in the main shapes of the monk's robe with a mid-tone brown.

  4. step 04

    Begin adding highlights to the robe, skull, book, and rock, paying attention to the direction of the light source.

  5. step 05

    Develop the shadows, using darker browns and blacks to create depth and volume.

  6. step 06

    Refine the details of the face, hands, and skull.

  7. step 07

    Add subtle textures to the robe and rock using dry brush techniques.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the shadows.

color palette

primary · raw umber · burnt umber · ivory black · titanium white

secondary · yellow ochre · raw sienna

Mix various shades of brown by combining raw umber, burnt umber, and ivory black. Use titanium white to create highlights and yellow ochre to add warmth to the robe.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brush
  • ·underpainting
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the monochromatic feel.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the dark background.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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