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home·artworks·Mavourneen (Portrait of Kathleen Newton)
Mavourneen (Portrait of Kathleen Newton) by James Tissot

plate no. 2695

Mavourneen (Portrait of Kathleen Newton)

James Tissot, 1877

oil, canvasRealismportraitportraitwomanhatfurdresswindow
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering textures like fur and fabric. It also provides practice in creating depth through value and color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Establish the background with thin washes of color, focusing on the window and wall.

  3. step 03

    Block in the main shapes of the figure, starting with the darkest areas of the dress and fur.

  4. step 04

    Begin refining the skin tones, using thin layers of color to build up the form of the face.

  5. step 05

    Add details to the hat, paying attention to the texture and form.

  6. step 06

    Work on the fur collar, using small brushstrokes to create the illusion of texture.

  7. step 07

    Refine the details of the dress, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and highlights to the face and hair.

color palette

primary · ivory black · raw umber · titanium white · burnt sienna

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, burnt sienna, and a touch of red. Use ivory black and raw umber mixed with white for the dark areas of the dress and fur. Add small amounts of blue to darken shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Overmixing colors, leading to muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in details too early in the process.
  • →Not paying enough attention to the proportions of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the value structure.

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oil painting for beginners →how to learn by studying the masters →
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