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Maud by George Elgar Hicks

plate no. 1651

Maud

George Elgar Hicks, 1882

oil, canvasRealismportraitportraitfigurehairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practice blending and layering techniques to create soft transitions and subtle details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and hair.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color: skin, hair, clothing, and background.

  4. step 04

    Begin layering and blending colors to refine the skin tones, paying attention to subtle variations in value and hue.

  5. step 05

    Add details to the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  6. step 06

    Develop the hair, using a variety of brushstrokes to create texture and volume.

  7. step 07

    Refine the clothing and background, adding details and adjusting values as needed.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · titanium white · burnt umber · cadmium red light

secondary · viridian · yellow ochre · ivory black

Mix skin tones by blending white, red, and umber, adjusting the proportions to achieve the desired hue and value. Use viridian and white to create the pale green of the dress. Darken colors with ivory black.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overblending, resulting in a flat or lifeless appearance.
  • →Incorrect proportions, leading to a distorted likeness.
  • →Neglecting subtle variations in skin tone.
  • →Using colors straight from the tube without mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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