
plate no. 1651
George Elgar Hicks, 1882
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practice blending and layering techniques to create soft transitions and subtle details.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and hair.
Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.
Block in the main areas of color: skin, hair, clothing, and background.
Begin layering and blending colors to refine the skin tones, paying attention to subtle variations in value and hue.
Add details to the eyes, nose, and mouth, focusing on capturing the likeness of the subject.
Develop the hair, using a variety of brushstrokes to create texture and volume.
Refine the clothing and background, adding details and adjusting values as needed.
Add final highlights and shadows to enhance the overall sense of depth and realism.
color palette
primary · titanium white · burnt umber · cadmium red light
secondary · viridian · yellow ochre · ivory black
Mix skin tones by blending white, red, and umber, adjusting the proportions to achieve the desired hue and value. Use viridian and white to create the pale green of the dress. Darken colors with ivory black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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