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home·artworks·Mathilde Therese Pannwitz Spitzner
Mathilde Therese Pannwitz Spitzner by Henry Mosler

plate no. 0569

Mathilde Therese Pannwitz Spitzner

Henry Mosler

oilRealismportraitportraitfigureclothingjewelrylacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of fabric textures. It also provides practice in capturing likeness and creating a sense of depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape of the portrait and the basic proportions of the figure.

  2. step 02

    Block in the main areas of color: skin tones, clothing, and background.

  3. step 03

    Begin to refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Develop the details of the clothing, including the lace collar and the folds of the fabric.

  5. step 05

    Add the jewelry, focusing on the highlights and shadows to create a sense of depth.

  6. step 06

    Refine the background, blending the colors to create a soft, diffused effect.

  7. step 07

    Add final highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and add depth.

color palette

primary · ivory black · titanium white · burnt umber · yellow ochre

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of alizarin crimson. Use ivory black and burnt umber for the dark clothing, adding small amounts of blue or crimson to adjust the tone.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·rendering fabric
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details before establishing the basic forms.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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