
plate no. 4881
Luca Giordano, 1660
Recreating this painting will help students develop skills in portraiture, particularly in capturing facial features and rendering skin tones in low light. It also provides practice in depicting folds in fabric and creating a sense of depth through value contrast.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, book, and main light source.
Establish the background with a dark, neutral tone, gradually building up layers.
Block in the main shapes of the figure, paying attention to proportions and anatomical landmarks.
Begin layering the skin tones, starting with the darkest areas and gradually adding highlights.
Define the features of the face, focusing on the eyes, nose, and mouth.
Paint the robe, using darker tones to create shadows and lighter tones to suggest highlights.
Add details to the book, including the text and any decorative elements.
Refine the overall painting, adjusting values and adding subtle details to create a sense of realism.
color palette
primary · raw umber · ivory black · titanium white
secondary · yellow ochre · burnt sienna
Achieve skin tones by mixing raw umber, ivory black, titanium white, and small amounts of yellow ochre and burnt sienna. Use more white for highlights and more umber and black for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne