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home·artworks·Mary Wither of Andwell
Mary Wither of Andwell by Mary Beale

plate no. 7122

Mary Wither of Andwell

Mary Beale, 1670

oil, canvasBaroqueportraitportraitfiguredresshairpearlsframe
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding the use of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, frame and dress.

  2. step 02

    Establish the background with a dark, neutral tone.

  3. step 03

    Block in the main areas of color for the skin, hair, and dress, focusing on the overall value structure.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle variations in skin tone and the play of light and shadow.

  5. step 05

    Develop the details of the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Work on the dress, capturing the folds and highlights to give it a sense of depth and dimension.

  7. step 07

    Add the details of the pearls and jewelry.

  8. step 08

    Finally, paint the frame, using a limited palette of browns and grays to create a sense of depth and texture.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · alizarin crimson · ultramarine blue

Mix skin tones by blending white, yellow ochre, and a touch of red. Use black and umber to create shadows and darker tones. The dress is primarily white with subtle mixtures of blue and black to create the silvery effect.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the subtle nuances of light and shadow, leading to a flat or lifeless portrait.
  • →Getting the proportions wrong, resulting in a distorted or inaccurate likeness.
  • →Not paying enough attention to the details of the hair and dress, which can add a sense of realism and depth to the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a pre-toned canvas to save time and create a more unified color palette.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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