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Mary by Henry Ossawa Tanner

plate no. 2798

Mary

Henry Ossawa Tanner, 1900

oilRealismreligious paintingfigureinteriorreligiousshadowsdraperylight
some experience helpful

Recreating this painting will help students understand how to depict light and shadow to create depth and form, as well as how to render fabric and drapery with realistic folds and textures. It also provides practice in capturing a mood through color and composition.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the major elements of the room.

  2. step 02

    Establish the light source and map out the areas of light and shadow.

  3. step 03

    Block in the main colors of the background, floor, and figure, using thin washes.

  4. step 04

    Begin building up the form of the figure, paying attention to the folds and drapery of the clothing.

  5. step 05

    Develop the details of the face and hands, focusing on capturing the expression and gesture.

  6. step 06

    Refine the lighting and shadows, adding highlights and deepening the dark areas.

  7. step 07

    Add details to the background and floor, such as the textures of the walls and the wood grain.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and realistic image.

color palette

primary · ivory black · raw umber · titanium white

secondary · burnt sienna · yellow ochre · alizarin crimson

Achieve the subtle color variations by mixing small amounts of secondary colors into the primary colors. Use white to create highlights and thin washes to build up the colors gradually.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong light source.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →how to learn by studying the masters →
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