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home·artworks·Martha and Mary Magdalene
Martha and Mary Magdalene by Caravaggio

plate no. 3298

Martha and Mary Magdalene

Caravaggio, 1598

oil, canvasBaroquereligious paintingfigurestableclothingmirrorreligious scenehands
experienced study

Recreating this painting will help students develop skills in portraiture, fabric rendering, and creating dramatic lighting effects (chiaroscuro). It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and objects.

  2. step 02

    Establish the dark background and the overall value structure using thin washes of burnt umber and black.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, paying attention to the light and shadow areas.

  4. step 04

    Begin building up the skin tones with layers of color, blending carefully to create smooth transitions.

  5. step 05

    Develop the drapery folds and textures of the clothing, using highlights and shadows to create depth.

  6. step 06

    Paint the details of the faces, including the eyes, nose, and mouth, to capture the likeness and expression of the figures.

  7. step 07

    Add the details of the mirror, comb, and other objects on the table, paying attention to their textures and reflections.

  8. step 08

    Refine the overall painting, adjusting the values and colors as needed to create a cohesive and realistic image.

color palette

primary · burnt umber · titanium white · cadmium red · ivory black

secondary · yellow ochre · viridian green · ultramarine blue

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Create the dark shadows by mixing burnt umber and ivory black. Use viridian green mixed with yellow ochre to create the green fabric.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Over-blending the skin tones, resulting in a flat or lifeless appearance.
  • →Not paying enough attention to the details of the faces and clothing.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas will make blending easier.

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related guides

oil painting for beginners →chiaroscuro →paint like caravaggio →how to learn by studying the masters →
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