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home·artworks·Market in Szolnok with the Holy Trinity Column
Market in Szolnok with the Holy Trinity Column by August von Pettenkofen

plate no. 5693

Market in Szolnok with the Holy Trinity Column

August von Pettenkofen, 1853

oil, cardboardRealismgenre paintingfiguresmarketcolumnhorsesskyfood
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a crowd and creating a sense of depth through atmospheric perspective. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main elements like the column.

  2. step 02

    Establish the background sky and the distant crowd with light, muted colors.

  3. step 03

    Block in the large shapes of the figures and the column with basic color mixtures.

  4. step 04

    Develop the midground figures, adding details to their clothing and faces.

  5. step 05

    Refine the foreground figures, focusing on accurate proportions and rendering the details of the pots and food.

  6. step 06

    Add highlights and shadows to create depth and volume.

  7. step 07

    Use dry brush techniques to create texture in the ground and clothing.

  8. step 08

    Add final details and adjust values to create a cohesive and atmospheric scene.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · cadmium red light · yellow ochre

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of burnt sienna to add warmth and depth to shadows.

techniques

  • ·dry brush
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details in the background, losing the sense of depth.
  • →Making the figures too stiff or posed, lacking naturalness.
  • →Using colors that are too bright or saturated, creating a jarring effect.
  • →Failing to establish a clear focal point, resulting in a confusing composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-textured canvas to facilitate the dry brush technique. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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