apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Market day
Market day by Victor Gabriel Gilbert

plate no. 3575

Market day

Victor Gabriel Gilbert, 1881

oilRealismgenre paintingstreet scenefiguresbuildingsmarketcityscapefood
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and capturing the essence of a bustling urban environment with loose brushwork. It also provides practice in rendering figures in varying degrees of detail and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements.

  2. step 02

    Block in the major shapes and values using thin washes of color, focusing on the overall tonal relationships.

  3. step 03

    Develop the background buildings and street scene, paying attention to atmospheric perspective and softening details in the distance.

  4. step 04

    Start adding details to the figures in the foreground, focusing on capturing their gestures and expressions.

  5. step 05

    Build up the highlights and shadows to create depth and dimension, using thicker paint and more visible brushstrokes.

  6. step 06

    Refine the details of the market stall and surrounding objects, paying attention to the textures and reflections.

  7. step 07

    Add final touches and glazes to unify the painting and enhance the overall atmosphere.

  8. step 08

    Pay attention to the reflections on the wet pavement.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing browns and blacks with small amounts of red, yellow, and blue. Use white to lighten values and create highlights.

techniques

  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating too much contrast and losing the subtle tonal relationships.
  • →Failing to establish a clear focal point.
  • →Not capturing the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy