apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Maria Schaep, Echtgenote Van Hendrick Bicker
Maria Schaep, Echtgenote Van Hendrick Bicker by Michiel van Musscher

plate no. 7113

Maria Schaep, Echtgenote Van Hendrick Bicker

Michiel van Musscher, 1682

canvas, oilBaroqueportraitportraitfiguredresslandscapepearlslace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth and atmosphere in a landscape background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Establish the background landscape with thin washes of color, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure, paying attention to the fall of light and shadow.

  4. step 04

    Develop the skin tones, using subtle variations in color to create a realistic effect.

  5. step 05

    Render the details of the dress, including the folds, highlights, and shadows.

  6. step 06

    Paint the lace and pearl necklace, focusing on capturing their delicate textures.

  7. step 07

    Refine the facial features, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ivory black · titanium white · ultramarine blue · raw umber

secondary · cadmium red light · yellow ochre · viridian

Mix various shades of gray and brown by combining ivory black, titanium white, and raw umber. Achieve skin tones by blending titanium white, yellow ochre, and cadmium red light. Use ultramarine blue and ivory black to create the darker shades in the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the delicate textures of the lace and pearls.
  • →Ignoring the importance of light and shadow in creating depth and form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, titanium white, ultramarine blue, raw umber, cadmium red light, yellow ochre, viridian)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne