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home·artworks·Marcello Sacchetti
Marcello Sacchetti by Pietro da Cortona

plate no. 1707

Marcello Sacchetti

Pietro da Cortona, 1626

oil, canvasBaroqueportraitportraitfiguretabledraperyclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and capturing subtle variations in light and shadow. It also provides practice in depicting textures, such as fabric and lace.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure and table.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the dark background and the figure's clothing.

  4. step 04

    Begin to refine the skin tones, using a limited palette of earth tones, white, and a touch of red.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to the highlights and shadows.

  6. step 06

    Render the clothing and drapery, focusing on the folds and textures.

  7. step 07

    Paint the table and its details, including the sculptural elements.

  8. step 08

    Add final highlights and details to the entire painting, ensuring that the overall composition is balanced and harmonious.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · cadmium red light · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken colors with burnt umber and black. Use thin glazes to build up depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to establish a strong value structure from the outset.
  • →Ignoring the subtle variations in color and texture.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before beginning to paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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