
plate no. 1707
Pietro da Cortona, 1626
Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and capturing subtle variations in light and shadow. It also provides practice in depicting textures, such as fabric and lace.
technical profile
approach — 8 steps
Sketch the basic composition, paying attention to proportions and placement of the figure and table.
Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.
Block in the main areas of color, focusing on the dark background and the figure's clothing.
Begin to refine the skin tones, using a limited palette of earth tones, white, and a touch of red.
Add details to the face, such as the eyes, nose, and mouth, paying close attention to the highlights and shadows.
Render the clothing and drapery, focusing on the folds and textures.
Paint the table and its details, including the sculptural elements.
Add final highlights and details to the entire painting, ensuring that the overall composition is balanced and harmonious.
color palette
primary · burnt umber · ivory black · titanium white · yellow ochre
secondary · cadmium red light · raw sienna
Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken colors with burnt umber and black. Use thin glazes to build up depth and luminosity.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Prepare the canvas with gesso before beginning to paint.
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