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home·artworks·Man Playing the Theorbo (self-portrait?)
Man Playing the Theorbo (self-portrait?) by Frans van Mieris the Elder

plate no. 3440

Man Playing the Theorbo (self-portrait?)

Frans van Mieris the Elder, 1676

oilBaroqueself-portraitfigureinstrumentchairlandscapeclothingportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and expression, as well as understanding how to render fabric and textures with subtle value changes. It also provides practice in creating depth through atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and instrument.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the main shapes of the figure, chair, and background, paying attention to the light and shadow patterns.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Develop the details of the clothing, using highlights and shadows to create the illusion of folds and textures.

  6. step 06

    Work on the instrument, paying attention to its shape and the details of its construction.

  7. step 07

    Refine the background, using atmospheric perspective to create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · raw sienna · alizarin crimson

Achieve the subtle skin tones by mixing white with small amounts of umber, sienna, and crimson. Use varying amounts of white to create highlights and shadows. For the clothing, mix umber and black with white to create the various shades of gray and brown.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth in the background.
  • →Making the values too uniform, resulting in a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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