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home·artworks·Man Offering a Woman Coins
Man Offering a Woman Coins by Gerard Terborch

plate no. 5159

Man Offering a Woman Coins

Gerard Terborch, 1663

oil, canvasBaroquegenre paintingfiguresinteriortablefruitcoinsarmor
experienced study

Recreating this painting will help students develop skills in portraiture, rendering of fabrics and textures, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting complex lighting and shadows.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and objects, paying attention to proportions and placement.

  2. step 02

    Establish the background with broad strokes of dark, muted colors.

  3. step 03

    Block in the main color masses for the figures, table, and other objects.

  4. step 04

    Start building up the values, focusing on the light source and shadows.

  5. step 05

    Refine the details of the faces, clothing, and objects, adding highlights and subtle color variations.

  6. step 06

    Pay close attention to the textures of the fabrics, armor, and fruit.

  7. step 07

    Glaze thin layers of color to unify the painting and create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber, raw sienna, and ivory black with small amounts of cadmium red and yellow ochre. Use titanium white to lighten the colors and create highlights. Mix ultramarine blue with burnt umber for darker shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →getting proportions wrong
  • →overworking the details too early
  • →not establishing a clear light source
  • →using colors that are too bright or saturated

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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