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home·artworks·Male head - study
Male head - study by Simeon Velkov

plate no. 9056

Male head - study

Simeon Velkov

oilRealismsketch and studyportraitmanheadbeardprofileclothing
some experience helpful

Recreating this study will help students develop skills in portrait sketching, capturing likeness, and using a limited palette to create form and depth. It also provides practice in applying visible brushstrokes to suggest texture and detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and chair.

  2. step 02

    Establish the background with a thin wash of neutral color.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and chair using broad strokes.

  4. step 04

    Refine the facial features, paying close attention to the angles and proportions of the nose, mouth, and eyes.

  5. step 05

    Add highlights and shadows to create form and depth in the face and clothing.

  6. step 06

    Develop the texture of the hair and beard using short, broken brushstrokes.

  7. step 07

    Add details to the clothing and chair, such as folds and highlights.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium red light

Mix various shades of brown and beige by combining burnt umber, raw sienna, and white. Use small amounts of red and blue to adjust the temperature and create subtle variations in skin tone.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·portrait sketching

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the freshness of the sketch.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A toned canvas can be helpful to establish the mid-tones. Consider using a warm grey or raw umber tone.

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oil painting for beginners →how to learn by studying the masters →
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