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home·artworks·Making Lint
Making Lint by Mihaly Munkacsy

plate no. 0334

Making Lint

Mihaly Munkacsy, 1871

oilRealismgenre paintingfiguresinteriortablechildrenlintroom
experienced study

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and understanding atmospheric perspective. It also provides practice in capturing realistic skin tones and textures using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main areas of color, focusing on the darkest values first to establish the tonal range.

  3. step 03

    Gradually build up the mid-tones and highlights, paying attention to the light source and how it affects the forms.

  4. step 04

    Refine the details of the figures, including facial features, clothing, and hands.

  5. step 05

    Add texture to the surfaces of objects, such as the tables, walls, and floor.

  6. step 06

    Pay close attention to the atmospheric perspective, making distant objects appear softer and less defined.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Achieve the muted tones by mixing umbers with black and white. Use small amounts of red and yellow to warm up the browns for skin tones and highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong tonal range.
  • →Using colors that are too bright or saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture to facilitate blending and glazing. Consider using a toned ground to simplify the underpainting process.

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