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Making Jam by Vladimir Makovsky

plate no. 8328

Making Jam

Vladimir Makovsky, 1876

oil, canvasRealismgenre paintingfigureslandscapebuildingtreestablecooking
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and understanding the effects of light and shadow on different surfaces. It also provides practice in rendering textures like wood, foliage, and clothing.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition, paying attention to proportions and placement of figures and objects.

  2. step 02

    Establish the background by painting the sky and distant trees with broad strokes, focusing on color and value relationships.

  3. step 03

    Block in the main areas of color for the figures, building, and table, using simplified shapes and values.

  4. step 04

    Refine the details of the figures, including facial features, clothing folds, and hand gestures.

  5. step 05

    Add details to the building, including the wood grain, shadows, and textures.

  6. step 06

    Develop the foreground by painting the grass, shadows, and any objects on the ground.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to enhance the realism and visual interest of the painting.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · cadmium red · sap green · raw sienna

Achieve the subtle greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Create warm browns by blending burnt umber, yellow ochre, and cadmium red. Use titanium white to lighten values and create highlights.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red, sap green, raw sienna)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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