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home·artworks·Magnolias
Magnolias by Alfred Parsons

plate no. 0771

Magnolias

Alfred Parsons, 1900

oilRealismflower paintingmagnoliasflowersleavesboxstill lifesword
some experience helpful

Recreating this painting will help students develop skills in rendering subtle color variations in white objects and creating realistic textures for leaves and wood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the flowers, leaves, box, and sword, paying attention to their relative sizes and positions.

  2. step 02

    Establish the background color with a thin wash of brown and umber tones.

  3. step 03

    Block in the main shapes of the flowers with light values, focusing on the overall form rather than details.

  4. step 04

    Add the darker greens of the leaves, varying the shades to create depth and dimension.

  5. step 05

    Develop the form of the box using darker browns and blacks, suggesting the texture of the wood.

  6. step 06

    Refine the details of the flowers, adding subtle highlights and shadows to create a sense of volume.

  7. step 07

    Add details to the leaves, including veins and variations in color.

  8. step 08

    Add the sword and refine the details of the entire composition, paying attention to the overall balance and harmony.

color palette

primary · titanium white · sap green · burnt umber

secondary · yellow ochre · ivory black

Mix white with small amounts of yellow ochre and burnt umber to achieve the subtle variations in the flower petals. Use different ratios of sap green and burnt umber to create a range of green tones for the leaves.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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