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home·artworks·Magdalena and Jan-Baptist de Vos, Children of the Painter
Magdalena and Jan-Baptist de Vos, Children of the Painter by Cornelis de Vos

plate no. 0146

Magdalena and Jan-Baptist de Vos, Children of the Painter

Cornelis de Vos, 1622

oil, canvasBaroqueportraitchildrenportraitfigureslandscapeclothingjewelry
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex fabrics and textures. It also provides practice in creating depth and atmosphere through value and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, establishing the atmospheric perspective.

  4. step 04

    Begin refining the details of the faces, paying close attention to light and shadow.

  5. step 05

    Work on the clothing, rendering the patterns and textures with careful brushwork.

  6. step 06

    Add highlights and details to the jewelry and accessories.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and glazes to enhance the depth and richness of the painting.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · raw umber · burnt sienna · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and ivory black for shadows. Create the fabric patterns by mixing red with white for lighter areas and adding raw umber for darker areas.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Oversimplifying the patterns and textures of the clothing.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the details of the faces.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, titanium white, cadmium red light, yellow ochre, raw umber, burnt sienna, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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