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home·artworks·Madonna with the Christ Child and Saint Bruno
Madonna with the Christ Child and Saint Bruno by Jusepe de Ribera

plate no. 5623

Madonna with the Christ Child and Saint Bruno

Jusepe de Ribera, 1624

oil, canvasTenebrismreligious paintingMadonnaChrist ChildSaint BrunoAngelsReligious FigureBook
experienced study

Recreating this painting will help students develop skills in chiaroscuro and rendering realistic skin tones. It will also provide practice in depicting drapery and complex figure arrangements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Establish the dark background using a thin wash of dark brown.

  3. step 03

    Block in the main shapes and colors of the figures, focusing on accurate proportions.

  4. step 04

    Begin layering highlights and shadows to create depth and volume.

  5. step 05

    Pay close attention to the light source and how it affects the forms.

  6. step 06

    Refine the details of the faces, hands, and clothing.

  7. step 07

    Add the subtle details of the angels and the book.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · Burnt Umber · Titanium White · Cadmium Red · Ultramarine Blue

secondary · Yellow Ochre · Raw Sienna · Ivory Black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Create the dark background by mixing burnt umber and ivory black. Use ultramarine blue and white for the Madonna's robe, adjusting the value with burnt umber.

techniques

  • ·Chiaroscuro
  • ·Glazing
  • ·Underpainting
  • ·Scumbling
  • ·Portraiture

common pitfalls

  • →Incorrect proportions of the figures
  • →Overblending the shadows
  • →Failing to capture the emotional expressions
  • →Inaccurate skin tones

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Burnt Umber, Titanium White, Cadmium Red, Ultramarine Blue, Yellow Ochre, Raw Sienna, Ivory Black)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Soft cloths

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background.

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