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home·artworks·Madonna in Prayer
Madonna in Prayer by Sassoferrato

plate no. 3581

Madonna in Prayer

Sassoferrato, 1650

oil, canvasBaroquereligious paintingfigureportraitreligiousdraperyhandsface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering soft skin tones and subtle drapery folds. It also provides practice in creating a sense of depth through careful value control.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, focusing on the head, hands, and drapery.

  2. step 02

    Establish the background with a thin layer of dark brown paint.

  3. step 03

    Block in the main areas of color: skin tones, white drapery, blue robe, and pink undergarment.

  4. step 04

    Begin layering and blending the skin tones, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the drapery by adding highlights and shadows to create a sense of volume and form.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth.

  7. step 07

    Work on the hands, paying attention to the anatomy and the subtle variations in skin tone.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · ultramarine blue · cadmium red light

secondary · yellow ochre · ivory black

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of burnt umber. The white drapery is a mix of white with small amounts of umber and blue to create shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle variations in value and color.
  • →Incorrect proportions of the face or hands.
  • →Ignoring the underlying structure of the drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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