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home·artworks·Madonna and Child, in a cartouche surrounded by flowers
Madonna and Child, in a cartouche surrounded by flowers by Erasmus Quellinus the Younger

plate no. 6259

Madonna and Child, in a cartouche surrounded by flowers

Erasmus Quellinus the Younger

oil, copperBaroquereligious paintingflowersstatuefigurecartoucheleavesbutterfly
experienced study

This painting will help students develop skills in rendering realistic floral details and creating depth through value variations. Students will also learn to depict a monochromatic statue within a colorful setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cartouche, statue, and floral arrangement, paying attention to proportions.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main values of the statue using a limited palette of grays and browns.

  4. step 04

    Begin layering in the colors of the flowers, starting with the darkest tones and gradually adding highlights.

  5. step 05

    Add details to the leaves and vines, varying the greens and browns to create depth.

  6. step 06

    Paint the butterflies, paying attention to their delicate wing patterns.

  7. step 07

    Refine the details of the cartouche, adding highlights and shadows to create a sense of depth.

  8. step 08

    Add final highlights and details to the flowers and statue to complete the painting.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber · sap green · alizarin crimson

Mix various shades of pink and red for the roses by combining cadmium red, alizarin crimson, and titanium white. Create greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the statue's monochromatic tones by mixing ivory black and titanium white with small amounts of burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure before adding color.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in color and value within the flowers and leaves.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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