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maddalena by Domenico Fiasella

plate no. 5477

maddalena

Domenico Fiasella

oilBaroquereligious paintingfigureskulldraperyhairbookreligious
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and hair, as well as understanding chiaroscuro and creating a sense of depth through value changes. Students will also learn to depict fabric folds and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, skull, and drapery.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main shapes of the figure, skull, and drapery with their local colors.

  4. step 04

    Begin layering and blending the skin tones, paying attention to the light and shadow.

  5. step 05

    Develop the hair, using a variety of brushstrokes to create texture and movement.

  6. step 06

    Refine the details of the skull and book, adding highlights and shadows to create form.

  7. step 07

    Work on the drapery, using darker values in the folds and lighter values on the highlights.

  8. step 08

    Add final details and adjust values to create a cohesive and realistic image.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · alizarin crimson

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Darker values are created by adding raw umber and ivory black. The blue drapery is created by mixing ultramarine blue with white and a touch of black for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions of the figure or skull.
  • →Failing to establish a strong value contrast.
  • →Getting the skin tones too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A toned canvas can help establish the dark background.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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