
plate no. 1795
Albin Egger-Lienz, 1899
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create depth and form. It also provides practice in blending and layering paint to achieve subtle tonal variations.
technical profile
approach — 8 steps
Sketch the basic oval shape and the placement of the head and shoulders.
Lightly sketch the main features of the face (nose, eyes, mouth, ear) and the outline of the beard.
Apply a thin wash of burnt umber and yellow ochre to establish the background tone.
Block in the darkest areas of the painting, such as the coat and shadows on the face, using a mix of burnt umber and black.
Begin layering lighter tones on the face, mixing white with yellow ochre and a touch of red for the skin tones.
Pay attention to the subtle variations in color and value to create the form of the face.
Add details to the beard and hair, using a dry brush technique to create texture.
Refine the details and add highlights to complete the painting.
color palette
primary · burnt umber · yellow ochre · titanium white
secondary · ivory black · cadmium red light
Mix burnt umber and black for dark shadows. Use white, yellow ochre, and a touch of red for skin tones. Vary the proportions to create subtle tonal changes.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface for easier blending. Consider using a pre-primed canvas to save time.
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