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home·artworks·Louis XIV receives a delegation from the Swiss Confederation
Louis XIV receives a delegation from the Swiss Confederation by Adam van der Meulen

plate no. 0223

Louis XIV receives a delegation from the Swiss Confederation

Adam van der Meulen, 1663

oilBaroquegenre paintingfiguresinteriorarchitecturecarpetdelegationroyalty
experienced study

Recreating this painting will help students develop skills in figure drawing, composition with multiple subjects, and rendering textures of clothing and architectural details. It also provides practice in creating depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on the central figures, refining their forms and details.

  4. step 04

    Gradually add details to the background figures, simplifying their forms as they recede into the distance.

  5. step 05

    Develop the textures of the clothing and carpet using layering and dry brush techniques.

  6. step 06

    Refine the lighting and shadows to create depth and atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · burnt umber · yellow ochre · ivory black

secondary · cadmium red · titanium white · Prussian blue

Achieve the warm, muted tones by mixing burnt umber with yellow ochre and small amounts of red or blue. Use white to lighten values and create highlights.

techniques

  • ·figure drawing
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Getting lost in the details too early.
  • →Overworking the painting and losing the freshness of the initial washes.
  • →Failing to simplify the background figures.
  • →Inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·Prussian blue oil paint

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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