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home·artworks·Louis Xiv at the Taking of Besancon
Louis Xiv at the Taking of Besancon by Adam van der Meulen

plate no. 1225

Louis Xiv at the Taking of Besancon

Adam van der Meulen, 1674

oil, canvasBaroqueportraithorsefigurelandscapebattleskymountains
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with atmospheric perspective and rendering realistic figures and animals in dynamic poses. Students will also learn how to create a sense of depth and distance through careful color and value adjustments.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the horse and rider, the mountain, and the horizon line.

  2. step 02

    Establish the basic color blocks for the sky, mountains, and foreground, focusing on the overall value structure.

  3. step 03

    Develop the details of the horse and rider, paying attention to anatomy and proportion.

  4. step 04

    Add the background details, including the city, river, and distant figures, using progressively lighter values and less detail to create atmospheric perspective.

  5. step 05

    Refine the lighting and shadows, adding highlights to the horse and rider and deepening the shadows in the foreground.

  6. step 06

    Add the small details of the battle scene in the background.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the depth.

  8. step 08

    Add final highlights and details.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · ivory black · raw sienna

Mix various shades of brown and gray by combining burnt umber, yellow ochre, and ultramarine blue. Use white to lighten these colors and create highlights. Mix red with brown to create the red accents.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·rendering of textures

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and value structure.
  • →Failing to create a convincing sense of depth and distance through atmospheric perspective.
  • →Inaccurate proportions of the horse and rider.
  • →Overworking the details in the background, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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