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home·artworks·Louis Lemaistre De Sacy
Louis Lemaistre De Sacy by Philippe de Champaigne

plate no. 5181

Louis Lemaistre De Sacy

Philippe de Champaigne

oil, canvasBaroqueportraitportraitfiguremanclothinghistoricalface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in achieving subtle value gradations and creating a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a thin layer of Burnt Umber.

  3. step 03

    Block in the main shapes of the figure: head, clothing, and hand.

  4. step 04

    Begin layering skin tones, starting with darker values and gradually adding highlights.

  5. step 05

    Refine the details of the face, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Develop the folds and shadows in the clothing, using a limited palette of blacks and browns.

  7. step 07

    Add highlights to the collar and tassel to create contrast.

  8. step 08

    Make final adjustments to values and details to achieve a cohesive and realistic portrait.

color palette

primary · burnt umber · raw umber · titanium white · ivory black

secondary · yellow ochre · cadmium red light

Skin tones are achieved by mixing white, umber, ochre, and a touch of red. Dark clothing is created with black and umber, lightened with white for highlights. Background is primarily umber with subtle variations.

techniques

  • ·glazing
  • ·blending
  • ·layering
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color in the skin tones.
  • →Ignoring the subtle shifts in value that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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