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home·artworks·Louis De France, Dauphin
Louis De France, Dauphin by Hyacinthe Rigaud

plate no. 5437

Louis De France, Dauphin

Hyacinthe Rigaud, 1697

oilBaroqueportraitportraitfigurearmorlandscapeskyhelmet
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and textures, as well as understanding how to depict metallic surfaces and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with thin washes of color, focusing on the overall tonal values.

  3. step 03

    Start building up the skin tones using layers of thin paint, paying attention to highlights and shadows.

  4. step 04

    Carefully render the armor, using a combination of dark and light tones to create the illusion of metallic shine.

  5. step 05

    Paint the wig, focusing on capturing the texture and volume of the curls.

  6. step 06

    Add details to the clothing, including the lace collar and sash.

  7. step 07

    Refine the background details, such as the landscape and figures in the distance.

  8. step 08

    Add final highlights and shadows to enhance the overall realism of the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Achieve skin tones by mixing titanium white, yellow ochre, burnt umber, and a touch of alizarin crimson. Use ultramarine blue and ivory black for the armor, adding touches of cadmium yellow for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering metal

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting lost in the details before establishing the overall form.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paint.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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