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home·artworks·Lot and His Daughters Fleeing Sodom
Lot and His Daughters Fleeing Sodom by Guido Reni

plate no. 5678

Lot and His Daughters Fleeing Sodom

Guido Reni, 1616

oil, canvasBaroquereligious paintingfiguresrobesbeardpitcherreligious scenedark background
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through subtle value changes. It also offers practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the dark background and gradually build up the mid-tones and highlights.

  4. step 04

    Focus on rendering the drapery, paying attention to the folds and shadows.

  5. step 05

    Develop the facial features and expressions, using subtle value changes to create form.

  6. step 06

    Refine the details of the hands and the pitcher.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and add richness.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ivory black · ultramarine blue

Mix skin tones using burnt umber, raw sienna, and titanium white, with small amounts of cadmium red for warmth. Achieve the red robes by mixing cadmium red with burnt umber and a touch of black for shadows. Create the yellow robes by mixing yellow ochre with titanium white and a touch of raw sienna.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Failing to establish accurate proportions in the initial sketch.
  • →Overworking the details too early in the painting process.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle value changes that create form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, yellow ochre, ivory black, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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