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home·artworks·Lost or Strayed
Lost or Strayed by Briton Riviere

plate no. 0185

Lost or Strayed

Briton Riviere, 1905

oilRealismgenre paintingstreethorsescarriagedogbuildingfigures
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex forms in a muted color palette. It also provides practice in depicting movement and capturing the essence of a bustling street scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the buildings, carriages, horses, and the dog.

  2. step 02

    Establish the overall value structure with a thin wash of neutral tones, focusing on the atmospheric perspective.

  3. step 03

    Block in the larger shapes of the buildings and carriages with their base colors, paying attention to the muted palette.

  4. step 04

    Start defining the forms of the horses and the dog, gradually adding details and highlights.

  5. step 05

    Refine the details of the carriage and the figures, adding subtle variations in color and texture.

  6. step 06

    Work on the background elements, softening the edges and creating a sense of depth.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the subjects.

  8. step 08

    Glaze with thin layers to unify the colors and create a cohesive atmosphere.

color palette

primary · raw umber · ivory black · titanium white · burnt sienna

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the muted tones by mixing the primary colors with raw umber and ivory black. Use white to lighten the values and create subtle variations in color temperature.

techniques

  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Getting lost in the details too early, before establishing the overall value structure.
  • →Overworking the colors and losing the muted atmosphere.
  • →Failing to create a sense of depth and perspective.
  • →Inaccurately portraying the anatomy of the horses and the dog.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-grain canvas to allow for subtle brushwork and texture.

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oil painting for beginners →how to learn by studying the masters →
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