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home·artworks·Los volcanes Popocatépetl e Iztaccíhuatl a la puesta del sol
Los volcanes Popocatépetl e Iztaccíhuatl a la puesta del sol by Jose Maria Velasco

plate no. 3213

Los volcanes Popocatépetl e Iztaccíhuatl a la puesta del sol

Jose Maria Velasco

oilRealismlandscapemountainslandscapefieldtreesskygrass
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques. Students will also learn to create texture with brushstrokes to depict fields and foliage.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountains.

  2. step 02

    Establish the sky with a thin wash of yellow and light blue, blending for a soft gradient.

  3. step 03

    Block in the distant mountains with muted purples and grays, paying attention to value changes to suggest form.

  4. step 04

    Paint the mid-ground trees and shrubs using darker greens and browns, varying the brushstrokes to create texture.

  5. step 05

    Develop the foreground field with layers of warm yellows, oranges, and browns, using broken brushstrokes to simulate grass and vegetation.

  6. step 06

    Add small details, such as the subtle highlights on the mountains and the small patches of blue flowers in the field.

  7. step 07

    Refine the overall color harmony and value relationships, adjusting as needed to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium orange · raw sienna

Mix muted purples for the mountains by combining ultramarine blue and burnt umber with white. Achieve the warm field colors by blending yellow ochre, burnt umber, and raw sienna in varying proportions.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·layering
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground, losing the overall sense of depth.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Neglecting the subtle value changes in the mountains, making them appear two-dimensional.
  • →Failing to create a sense of atmosphere by not muting the colors in the distance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·photo reference

Use a medium-textured canvas to enhance the brushstroke visibility.

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oil painting for beginners →how to learn by studying the masters →
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