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home·artworks·Lorenzo Van Der Hamen
Lorenzo Van Der Hamen by Juan van der Hamen

plate no. 2410

Lorenzo Van Der Hamen

Juan van der Hamen, 1620

oilBaroqueportraitportraitmanclothingfacehaircollar
some experience helpful

Recreating this portrait will help students develop skills in accurately rendering skin tones and understanding subtle value shifts to create form. It also provides practice in capturing likeness and working with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the head, shoulders, and collar.

  2. step 02

    Establish the background color with a thin wash of muted gray-brown.

  3. step 03

    Block in the main areas of the face, clothing, and collar with their respective base colors.

  4. step 04

    Start building up the skin tones by layering different shades of pink, yellow, and brown, paying attention to the highlights and shadows.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  6. step 06

    Add details to the clothing, such as the folds and creases, using darker shades of black and gray.

  7. step 07

    Refine the edges and contours of the figure to create a sense of depth and dimension.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · burnt umber · yellow ochre

secondary · cadmium red light · raw sienna

Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of red. Dark clothing is primarily black and umber, lightened with white for highlights. The background is a muted mix of umber, black, and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overmixing colors, leading to muddy tones.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much contrast, resulting in an unnatural appearance.
  • →Ignoring the subtle value shifts that create form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, ivory black, burnt umber, yellow ochre, cadmium red light)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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