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home·artworks·Lord Ronald Sutherland Gower
Lord Ronald Sutherland Gower by Henry Scott Tuke

plate no. 0272

Lord Ronald Sutherland Gower

Henry Scott Tuke, 1897

oilRealismportraitportraitfiguremanclothingfacial hairformal wear
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle skin tones. It also provides practice in creating depth and form using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown.

  2. step 02

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  3. step 03

    Block in the darkest areas of the background and clothing using a dark brown mixture.

  4. step 04

    Begin layering in the mid-tones of the face, gradually building up the form with thin washes of color.

  5. step 05

    Add highlights to the face, hair, and clothing, paying attention to the direction of light.

  6. step 06

    Refine the details of the facial features, such as the eyes, nose, and mouth.

  7. step 07

    Paint the details of the clothing, including the collar, tie, and flower.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and realistic portrait.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · ultramarine blue

Achieve skin tones by mixing raw sienna, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Use ivory black and burnt umber for the dark background and clothing. Mix ultramarine blue with white for the tie.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much paint, obscuring the subtle details.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

A pre-toned canvas will save time and help establish the overall mood of the painting. Use high-quality oil paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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