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home·artworks·Looking for Food in a Gutter
Looking for Food in a Gutter by Ivan Vladimirov

plate no. 8762

Looking for Food in a Gutter

Ivan Vladimirov, 1919

oilRealismgenre paintingfiguresbuildingsstreetpovertyeveryday lifechildren
some experience helpful

This painting offers a good opportunity to practice capturing figures in simple forms and creating a sense of atmosphere with muted colors. Students can learn to suggest details rather than rendering them precisely, focusing on overall tone and mood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the buildings, figures, and the general ground plane.

  2. step 02

    Establish the overall value structure with a light wash of a neutral color like raw umber.

  3. step 03

    Define the darker areas of the buildings and figures with a darker wash, paying attention to the light source.

  4. step 04

    Introduce local colors to the figures' clothing and the ground, keeping the colors muted and desaturated.

  5. step 05

    Add details to the faces and clothing, using small brushstrokes and varying the pressure to create texture.

  6. step 06

    Refine the edges of the shapes, softening some and sharpening others to create depth.

  7. step 07

    Add final details such as the basket and any debris on the ground.

  8. step 08

    Glaze with a thin wash of a unifying color (e.g., burnt sienna) to create harmony.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix neutral grays by combining complementary colors. Use raw umber and burnt sienna as a base for many colors, adding small amounts of other colors to adjust the hue and value. Mute colors by adding a touch of the complementary color.

techniques

  • ·wash
  • ·dry brush
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking details too early.
  • →Using colors that are too bright or saturated.
  • →Ignoring the overall value structure.
  • →Making the figures too stiff or posed.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use a limited palette of colors to create a harmonious and unified painting. Experiment with different brushstrokes to create texture and interest.

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oil painting for beginners →how to learn by studying the masters →
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