
plate no. 6955
Noè Bordignon, 1897
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in layering and blending oil paints to achieve subtle color variations.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head and shoulders using a light pencil.
Establish the overall value structure by blocking in the background and major areas of light and shadow with thin washes of color.
Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.
Develop the skin tones by layering and blending different shades of pink, yellow, and brown.
Add details to the hair, using short, broken brushstrokes to create texture and volume.
Refine the clothing and background, adding subtle variations in color and value.
Add highlights and shadows to create depth and dimension.
Make final adjustments to the overall composition and color balance.
color palette
primary · raw umber · titanium white · cadmium red light · yellow ochre
secondary · ultramarine blue · burnt sienna
Mix various shades of brown and grey by combining raw umber, white, and small amounts of red and blue. Achieve skin tones by blending white, yellow ochre, cadmium red, and a touch of raw umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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