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Little girl by Noè Bordignon

plate no. 6955

Little girl

Noè Bordignon, 1897

oil, canvasRealismportraitportraitfiguregirlhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in layering and blending oil paints to achieve subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders using a light pencil.

  2. step 02

    Establish the overall value structure by blocking in the background and major areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  4. step 04

    Develop the skin tones by layering and blending different shades of pink, yellow, and brown.

  5. step 05

    Add details to the hair, using short, broken brushstrokes to create texture and volume.

  6. step 06

    Refine the clothing and background, adding subtle variations in color and value.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · raw umber · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt sienna

Mix various shades of brown and grey by combining raw umber, white, and small amounts of red and blue. Achieve skin tones by blending white, yellow ochre, cadmium red, and a touch of raw umber.

techniques

  • ·alla prima
  • ·layering
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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