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home·artworks·Little country church
Little country church by Silvestro Lega

plate no. 1818

Little country church

Silvestro Lega, 1874

oil, panelRealismlandscapelandscapechurchfieldskytreesfigures
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into manageable shapes and values. It's a good exercise in capturing the essence of a landscape with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the church, and the large shapes of the field and sky.

  2. step 02

    Establish the sky with broad, horizontal strokes, blending blues, whites, and grays.

  3. step 03

    Block in the distant hills and buildings with muted blues and greens.

  4. step 04

    Paint the church using light, warm tones, paying attention to the simple geometric forms.

  5. step 05

    Lay in the base color of the field with a mix of greens and yellows.

  6. step 06

    Add details to the field with varied greens, yellows, and browns, using broken brushstrokes to suggest texture and individual blades of grass.

  7. step 07

    Paint the figures with simple shapes and muted colors.

  8. step 08

    Add final details and highlights to the church, trees, and field.

color palette

primary · yellow green · sky blue · titanium white · raw umber

secondary · burnt sienna · cadmium yellow light · ultramarine blue

Achieve the various greens by mixing yellow and blue with white and umber. Muted tones are created by mixing complementary colors.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the field.
  • →Making the colors too saturated.
  • →Ignoring the atmospheric perspective.
  • →Losing the loose, painterly feel.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for a good balance of texture and smoothness. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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