
plate no. 1818
Silvestro Lega, 1874
Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into manageable shapes and values. It's a good exercise in capturing the essence of a landscape with loose, expressive brushstrokes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the horizon line, the church, and the large shapes of the field and sky.
Establish the sky with broad, horizontal strokes, blending blues, whites, and grays.
Block in the distant hills and buildings with muted blues and greens.
Paint the church using light, warm tones, paying attention to the simple geometric forms.
Lay in the base color of the field with a mix of greens and yellows.
Add details to the field with varied greens, yellows, and browns, using broken brushstrokes to suggest texture and individual blades of grass.
Paint the figures with simple shapes and muted colors.
Add final details and highlights to the church, trees, and field.
color palette
primary · yellow green · sky blue · titanium white · raw umber
secondary · burnt sienna · cadmium yellow light · ultramarine blue
Achieve the various greens by mixing yellow and blue with white and umber. Muted tones are created by mixing complementary colors.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for a good balance of texture and smoothness. Consider using a limited palette to simplify color mixing.
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